Checking in: Who am I?

I'm currently seeking representation for a novel in which a professional dancer with body image issues must re-imagine her life after a devastating blow to her career is followed by a mysterious accident that leaves her unable to move. At one point, in the hospital, my protagonist concludes,

The harsh truth: without movement, I didn’t know who I was.

I thought about this, holed up as I was with a fractured ankle in a camp that still echoed with vibrant memory. The running footsteps of my youth (my mother: "You better have washed the pine needles off your feet!") and slamming screen doors (my grandmother, now: "Quick girls, the bats!") had been replaced with an eerie stillness. Although this place had made me feel more "me" than any other setting I'd known in my life, my new immobility allowed the dissociation my character spoke of to set in. Floating free from my writing and editing in a sea of pain medication, as out on the lake other Labor Day kayakers and swimmers reveled in summer's last rays, I felt like driftwood of an unspecified nature.

I have always been sensitive to the way change, especially when unanticipated, can challenge your very sense of who you are. A move to a new state in sixth grade, the loss of a beloved cousin while I was in college, my fertility struggle, my first husband's suicide—in the parlance of story structure these are inciting incidents: unexpected forces that tip a character out of her everyday world and that forge within her a desire to create a new reality.

Why a new reality? If you had a good life, why not just wait things out until I could get it back again? After Ron's suicide, at a meeting of Parents Without Partners, a man asked me just that. "Why are you working so hard at this?" he said, after I'd mentioned the therapy I'd sought. "He did this to you. It's not your fault!" He literally shook with anger, as if my choice to heal implied he might be culpable in his own divorce.

My rationale then was the same as it was fourteen years later, after my ankle fracture: why voluntarily return to a world in which such frightening circumstance was possible? While change is capricious and inevitable, I'd rather hedge my bets and reach for a life with different challenges rather than take another spin through the hell I'd already been through. Otherwise I'd feel as doomed as Sisyphus, rolling that rock back up the hill, over and over.

As a result I'm a rather voracious healer. I do not sit well with a disrupted sense of self; I can't muster the hope that time will knit my soul back together as tidily as it will the bones in my ankle. I'm more proactive than that. But a seeker needs motion. How could I rebuild my sense of self as a lively mid-lifer while stumping through the camp with a walker, each step taking such a toll? I'd hoped that "Kathryn Craft + walker" was a good three or four decades down the road.

The universe offered a grace of timing: by Friday night my sons, ages 22 and 24, already scheduled to spend Labor Day weekend at the lake, were on their way.

Their bed-head appearance late Saturday morning made it seem like the stork himself had dropped them off during the wee hours. At once I knew how much I needed their beautiful familiarity; I was more off-balance than even I had realized.

This was the first summer I'd been at the lake without my dad, whose spirit was evident everywhere but whose physical presence was sorely missed. I'd spent all summer with my mother, with whom I'd always had a trying relationship, but who needed me now that her short-term memory was fluttering to a halt. I'd fractured myself: at the same time struggling to catch up with my own interrupted work, I'd wrapped my life once again around her needs. Her dementia's constant assault on my sense of what was real and true knocked me as far off-balance as Hurricane Irene had, and now I had only one leg with which to right myself.

But in watching Marty glide over the water beside Dave in a vessel my Uncle Bob had bequeathed him, or listening to Jackson and his girlfriend enact the tireless debate on which is the best way to build a fire, the camp sprang to a most familiar life.

When my dad's sister left the lake this year—at 92 the only remaining Graham of that generation—she gave me a check for $50 with the instruction to purchase something for the camp in memory of my father. To that end my mother and I had purchased the Jack Graham Memorial Barbecue Grill to replace its dangerously rusted predecessor, at which my Dad had distractedly lorded over many an overcooked hamburger. On Labor Day I couldn't see, from my perch in the camp, my sons out at the grill. But knowing they were out there with chocolate bars, the old marshmallow forks ("Mom—here's a perfect marshmallow for you, golden brown!"), and my favorite—the graham crackers—I reclaimed a core aspect of self.

I am Kathryn, of the Grahams, and through me, tradition lives on.

Going home

The day after my surgery a physical therapist stopped by my hospital room to display my choice of walking aids: crutches, or a walker. I said I was a little worried about the crutches because of the flooring we'd used when we'd renovated the camp: the wood-look floor could be slippery. Since I wouldn't be weight-bearing on the ankle for three months he suggested I take both, and benefit from the added stability of the walker while at the camp. Dave should remove all the area rugs that were now trip hazards.

"So, let's see you use the walker," the therapist said.

"Now?"

Nothing phases these guys. He got me right up out of bed, hooked all my bags to a movable pole he'd push along behind me, and told me to walk to the door and back.

"Relax your shoulders, move the walker forward, and hop toward it," he said. The choreography was elementary—the trick was performing it while my foot felt radioactive with pain. I held it out in front of me where I could ensure it would come to no additional harm.

I am nothing if not determined. When my college dance students would say "I can't do it," I'd tell them their choice of words would not be honored in my classroom. They were, however, allowed to say, "I'm currently finding this movement a challenge," a response that would both improve their humor and result in some added tips and tricks from me. So I had no doubt that I'd make this walk, no matter what. But it wouldn't be pretty. Even before the edge of my roommate's bed I was wracked with the kind of sobs that make relaxing one's shoulders a challenge.

"That's good. That's enough," the therapist said, but he'd told me the door was the objective and I was only two-thirds of the way there. So I pushed through those final few hops before my return trip. This is how surgery and sleep deprivation sap you: just days before I was lifting weights and doing sprint/walk cross-training and swimming quarter-miles, sometimes all on the same day. By the time I got back into bed after this herky-jerky attempt at walking on one leg, I was completely spent.

Because of his practice in the Canadian border town of Ogdensburg, some thirty miles to the west, my surgeon conducted his rounds in the evening. I braced myself when he came in. I knew our country's health insurance philosophy as concerns hospitalizations: cut 'em and turn 'em loose. The summer before, post-Cobra, Dave and I had spent months shopping for affordable health insurance; we now spent half of his monthly pension check on a major medical policy whose attributes my memory couldn't distinguish from the sea of coverages we'd applied for.

All afternoon I lived in dread of being sent home. I even hated to hear how well my nurses and doctors thought I was doing: my vitals were great, my overall health commendable. And I'm thinking, how could I possibly survive the hour's ride back to the camp, let alone the hobble from front door to bed, which was so much longer than the one I'd pushed through that day?

My fate would turn on the words of Dr. Luc Perrier. I was sure my vitals were fluxing all over the place as he made his determination. With that French accent I was unwilling to yet label charming or hateful, he said, "So try to get some sleep tonight and I'll see you tomorrow." Charming it was: because he did late rounds, I'd have another full day to gear up for my next challenge. I let out the breath I was holding and thanked him. As he signed my chart with a flourish he repeated what he said in the ER: "But don't forget to cast me as the handsome doctor who saved your life in your next novel."

That extra day would end up making all the difference.