From retreat prompt to memorial tribute

While retreating with the above crew at my summer home in Northern NY State in June, I posed a writing prompt I lifted from a post by Kim Pearson, a fellow contributing editor at The Blood-Red Pencil:

Describe a room in your house, perhaps the room you are sitting in now. Describe everything and anything in it – without using any adjectives or adverbs that imply opinion (such as pretty, or dirty, or jarring, or too anything). Use only words that cannot be disputed.

Since it was a beautiful day, I suggested my retreaters might also choose an outside space. Yet when we began writing, no one moved from the room we were in. So I went outside and sat in an Adirondack chair to serve as a role model. The first thing I saw was "Mahn-Go-Taysee," the canoe pictured above. I started writing from this prompt through a filter of loss; my father. who died at the end of April, had loved this canoe. With a little adaptation my writing became the piece below, which I read last Saturday at his memorial service.

[Note: When trying to get your writing life back to normal after suffering such a loss, I recommend you refrain from posting a picture of your father looking youthful and handsome on your blog. It's been very hard for me to add something that would push him from the "front page," scrolling him into my past. I'll do so gently, by sharing here my tribute.]

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Mahn-Go-Taysee

The overturned canoe graces the lakeshore as it has every year, vivid yellow against green growing grass. This year fore and aft seem more neck and tail, curving over sawhorses in a reverent bow. Above it, in the pines, birds twitter strange syllables as if calling its name: “Mahn-go-taysee.” If they could tell the story of that name, I’d love to hear it.

The name was from Uncle Bob’s Hiawatha period. Translated, the Ojibway means “loon-hearted brave.” I never heard anyone venture a guess as to what that meant, exactly. Perhaps Dad approved simply because of the name’s reference to the majestic bird that returns to the lake with its mate every summer to raise its young, just as he did.

I think of this as I place my palm on the canoe’s back. Its warmth surprises me. I almost expect a heartbeat, as if it has absorbed and reflected the life around it. My fingers skim blemishes formed by hardened sap, and stuttering scars left by generations of children navigating submerged rocks discovered too late.

It seems like only yesterday this canoe wintered over in the basement of our Maryland home, its ribs exposed, although in truth it has been some forty years. Dad had asked that we each take short shifts with the sanding; with seven in the family it would be done in a jiffy. But my memory is of my father’s hands on the sanding block, swish-a-swish-a-swish, raising dust into the air that tasted sweet on my tongue. I watched him from a perch on the basement steps. At fourteen I knew nothing of endurance, and tired too quickly to be of much use. But I sensed the importance of the project, and of witnessing it.

I run my fingers over the letters. With a sure hand and the flourish of the artisan, Dad had painted them so bold and thick that even the blind might read them with the hands: Mahn-go-taysee. Was being loon-hearted anything like being “crazy as a loon”? I suppose that phrase refers to the bird’s giggle-laugh that, like the cries of a child relentlessly tickled, is actually a sign of distress. What if being loon-hearted is to be crazed with love to the point of foolishness?

Perhaps it was foolish of my father to spend so much time preserving this old boat, with so many other low-maintenance, hi-tech materials becoming available. Yes, it sliced through the water leaving only its thin wake in evidence, but it was tippy. Dad taught us to paddle in this canoe, as soundlessly as an Indian whose very life depended on stealth. To abandon our mother’s hand-caned seats and kneel in the center if paddling solo while caught in a stiff wind. He taught my sisters and I how to switch places, one crawling through the straddled legs of the other. Balance and harmony were paramount; a canoe was no place for squabbles. And within the confines of this vessel we kept the peace well—as far as I know, it did not once overturn.

I can still see my father in the basement, working night after night within the glow of his worklamp, as alone as the loon can sound with its haunted, hollow call. The restoration would end up taking ten years. Maybe to be loon-hearted means to carry on despite what one knows of abandonment and lone effort. Yet in the end our ever-buoyant father painted the canoe the color of sunshine, building the brilliance coat after coat.

My hand skims the chipped keel. I was married by the time I helped fashion this finishing touch, to Dad’s specifications, from a hard-to-find length of oak with no knots. It is rough now from running the boat onto the sandy shore, time and again, like Mom told us not to. In ways both constructive and destructive, this craft was a family work of art.

The breeze bends long grasses and pushes ripples against the shore but the canoe continues its vigil with the patience of an elder. No one is immune to the ravages of age, not even Mahn-go-taysee. Upon the completion of her restoration in 1985 my dad wrote, “My modest assessment is that it is absolutely gorgeous!” Now deepening cracks cause mildew-edged canvas to peel from her gunwales—but inside, bathed in the spirit of the loon-hearted brave who revived her, resilient ribs have clung to both strength and beauty.

A motor starts, a dog barks in the distance. Beside Mahn-go-taysee, I watch as out on the lake a child or perhaps a renter flails oars, sending a rowboat into a spasmodic circle. I smile; they too will learn. I pat the canoe, soon to earn temporary respite from such training sessions.

One day we will restore her. Even Trout Lakers who’ve traded in double-seater outhouses for indoor plumbing understand the importance of clinging to some aspects of bygone eras. And I am one of Jack Graham’s children: if what stands between one of us and something we find meaningful is simply the acquisition of new skills, the scraping together of elusive funds, and monumental effort over an indeterminate stretch of time, why not go for it?

But before sending her to her well-earned rest, unable to resist the way she is stretched before me, soaking up the sun and the view as my father himself so loved to do, I slip my arms around Mahn-go-taysee and lay my cheek one last time against what warmth remains on her flawed, beloved surface.

My new, smaller family

Men watching

Okay ladies, truth time: if you saw this handsome dude in the mall you'd look twice, wouldn't you?

I'm lucky. I was watching him my whole life.

This is my father, before I ever knew him. He passed away on April 27 and I haven't posted since then. Even dedicated writers experience seasons: a time to record their lives, and a time to set down their pens and immerse themselves so fully that they might live something worth writing about.

I could have written sooner of the shock when I got to the hospital and heard my mother, so small in the waiting room, say, “He didn’t make it.” I could have written of the panic urging me to connect with the only sister within striking distance—“Can you leave work? Come to the ER right now”—so she might witness with us the cooling evidence of this loss. I could have written of the way the chaplain tugged at the wedding band ensconced on my dad's hand ever since my mother placed it there sixty years ago, and the way that struggle left my dad’s fourth finger lying unnaturally straight, never to curve again alongside his others.

But these are observations, and since what I seek on this blog is perspective, I had to wait until I gained some. And this is what I keep coming back to: the differences between my first husband and my father.

I’ve written about Ron a lot on this blog, because for fifteen years I watched him as well. In choosing death, he taught me a lot about life. Because he was fourteen years older than I, one could posit that I sought in my first husband a father substitute, and one might be right [I totally wrote that sentence in my Dad’s voice]. Ron was the hugger my father wasn’t, giving freely the affection I sought to earn from my father. But both men were aloof, and unpracticed in sharing their inner emotional lives. What I learned from them both I learned by processing my observations.

But unlike my father, Ron was overwhelmed by life’s challenges and possibilities, and he committed suicide at just about the same age my dad was when he faced off against the first of many life-threatening illnesses: cancer, encapsulated on a kidney he would lose. He didn’t need it—spirit would fill in what the body couldn’t provide. My dad would continue to fight for his life for the next thirty years, pummeling into remission two more kinds of cancer. During those years he would have and enjoy all of his eight grandchildren.

By the time his first grandson was born—my son Jackson—my father was already well into a string of heart attacks that would lead to angioplasties and stents and quintuple bypass surgery. So worried was I for his life that when Jackson and I left the hospital in 1987 we went straight to another: Ron drove us from our room downtown to my dad's in another section of the city. I wanted to show Dad his first grandson...just in case.

My dad would live beyond Jackson’s college graduation because time and again he reached death's threshold and bounced off. When my mom called that last morning of my father's life to say he’d had a massive heart attack and that the ambulance had just left, I didn’t know what to expect. I grabbed the living will and power of attorney, dutifully, but also his med list. How many times had I driven the hour to get there to find him holding court in the emergency room, greeting my arrival with a hearty, “Well hello, Kathryn. What are you doing here?” On that final drive, until I would observe for the last time his silent, unmoving face, I held all possibilities aloft.

These past few years my dad was frustrated by dementia and a tremor that kept him from two of his great loves, reading and painting. Yet still his body continued to carry him proficiently through all his daily tasks, and he accepted the challenge of finding what pleasure he could in life, much of which involved the treasured company of my mother. When his heart seized this time the end was astoundingly complete. He lived to be 86, beyond any doctor's expectations, and there is some small measure of relief in the fact that this brilliant, creative man did not have to suffer any further the ravages and indignities of dementia.

Ron’s death at age 54 was also sudden and complete, and offered some measure of relief in a household that had weathered the storm of his psychological torment. We hope he rests with a peace he never knew in life. But the torment that was his continued for those he left behind.

My dad, on the other hand, left behind a precious gift: peace. All things must come to an end, we know this, and that includes the life of Jack Graham, fighter pilot, industrial designer, corporate executive, weekend carpenter, artist, writer, devoted husband, father, and grandfather. It was clearly his time to go, and we can rest in this knowledge. Because if it were within his power to stay, he’d be calling to me now from the porch of our camp: “Kathryn, is there any more maple cream?”

I licked it from my fingers this morning, Dad, thinking of you. May the toast in heaven be slathered with it.